My Photo
Midland, Texas, United States
My name rhymes with "Lisa," I live in Midland, Texas, because it's warm and the mortgage is cheap, and no, my hair is not naturally orange. The EGE--The Ever-Gorgeous Earl--is my husband of 34 years. I have the best job in the world because I get to call up artists and ask them nosy questions and then write about them. In my spare time I write. Yeah, I know that's kind of pathetic, but what can I say?

FAQ's

Thursday, December 31, 2009

Why I ♥ Lynn Yaeger

In O Magazine this month there’s a feature titled “Do You Love the Way You Look?” It has maybe half a dozen women (always women, of course) with their comments about looking different. All but one of them are perfectly regular, nondescript women. Two of them write about cutting off their hair—one is a black woman with fabulous short hair but who otherwise looks very regular. The other is a white woman with shoulder-length hair who reminisces about having once cut her hair short.

I’m like, “Huh?” And then I realize that most of the women who read this magazine think they’re daring if they wear a pair of last season’s pants or get a haircut that they didn’t see on the pages of half a dozen new magazines. If they’ve still got a pashmina in a drawer somewhere, they’re bucking the trends. Yeah, baby.

But then there’s Lynn Yaeger, who more than makes up for all the rest. I’d seen photos of her before on street style blogs, where they mentioned her rather coyly, I thought, as “a regular.” I thought, from that and from her looks, that maybe she was some street person, eccentric and endearing and often photographed for those reasons.

Non.

Turns out, she wrote about fashion for the Village Voice for 30 years and has been a contributor to Vogue. The slight hint of, perhaps, bemused condescension in the references to her? Take a look:

anna piagii

lynn%20yaeger%20halloween%202

These are not costume photos; this is how she dresses. And this is her regular make-up. In the article, she says that she realized decades ago that she didn’t have the features to look like the California Blonde models of the time. She looked at herself and figured out a look that she loved, and then she adopted it. (Her words are much better, but I’m not about to copy part of O Magazine here—stop by a newsstand and check out the January issue. See pages 145-146.)

She is perfect to me. It doesn’t matter a bit whether or not I would wear what she wears. It doesn’t matter if I like her hair or her make-up. That is not my point at all, and that’s not the point of the article or of this post.

She talks about how some people will stare and some will make snarky comments, but she says the majority will compliment her on her individuality and bravery.

Bravery. I remember the first time I saw a woman with short hair. I’m talking really short hair—less than an inch. A buzz. What was called a “burr” when I was a kid—when only men had them.

She was at one of the openings at Gallery 1114, which I miss dearly. She was dressed up, with her husband, and I saw her and thought, “My god, how brave!”  (I learned later from friends that she was rich enough that it had nothing to do with bravery—that much money and you can paint yourself orange and ride a horse through town and everyone will think it’s au courant ad rush out to Sherwin Williams with the paint flake they peel off your elbow as you gallop past.)

Finding your own style—refusing to follow fashion—does take courage. People will be snarky. But then, hell, some people will always be snarky:  apparently they think it’s a sign of intellectual wit and an entree to a fabulous book deal.

Perhaps they’re right.

I wish more people would be individual in their style. Their hair. Their make-up. Their dress. I would even try not to whimper when they seemed to be trying to hurt my eyes with their attempts to avoid Matchy-Matchy-ness by picking half a dozen colors that bear no relationship to each other on a GOOD day. I don’t know if I’d be successful, but I’d try.

As long as they were clean and were making some kind of artful effort. Trying to look like you rolled out of bed after a month-long bout of stomach flu or a two-week blur of sexual olympic training—those don’t count. No, you have to make an effort not to look like a disaster, OK?

But I think if Lynn Yaeger can find her look and wear it happily through the street of New York City, everyone else can find a look of their own without having to copy what they see in the magazines, or at the mall, or online or on tv or wherever the hell people get their instructions for How To Dress Right Now.

I’m still working on it—every once in a while I’ll think I’m getting lazy, wearing whatever I find lying on top of the dryer, never mind that it’s ugly and doesn’t make me happy. What I’ve started doing when that happens is taking off the offending garment and carrying it immediately out to the Fucking Edifice, where I put it in the bag destined for the next trip to Goodwill. If I’m wearing something only because it’s easy and I don’t have to worry about staining it with coffee, then it needs to go. I want every piece of clothing I own to make my heart glad and my eye happy. Otherwise, what’s the point?

Why do you look the way you look? Because it makes you happy? Or because it’s easy? Or because you don’t care? If you reallyreallyreally don’t care and don’t ever even notice how you look, if you never wear make-up, EVER, and never look in the mirror, then good for you. But if you do any of those things, then take a few minutes and think about how you look. If you don’t love it, maybe the beginning of 2010 is the time to do something about that and find a look you really love and that feels as natural to you as your very own skin.

I Hated “Project Runway” Very Much.

From the very beginning, everybody told me this show was perfect for me. They said I’d love the creativity, the challenges, the altering of garments. But, because I loathe tv beyond all imagining, I never watched it.

Until it was over, and then I Netflixed the whole series. It was the first time ever I’d watched a “reality tv show,” and omigod. It was worse than I’d ever imagined.

And “reality tv”—is that an oxymoron or what?

What a concept:  reality tv. Who in the world thought up this shit? And another question, one I hate even to contemplate: what does it say about us, as a species, that reality tv shows are so popular?

TV is a problem all in itself for one simple reason:  its content is determined by advertising dollars. What you get on tv is determined by what they think they can make you want to buy.

Oh, I could go on and on about the very concept of tv and how I believe it’s just one more way to keep us all fat and placid and safe at home, rather than out meeting and organizing and forming actual real-life communities.

{We spent several wonderful hours last night, hours when most people were home watching whatever-it-is-they-watch, sitting at Starbuck’s talking to friends. I got a ton of stitching done, and we laughed like goobers about the curtains matching the carpet and Zombie Dreams, but that’s a whole nother story. . . .]

Never mind that tv makes us stupid, makes us desire crap for which we have absolutely no need, and fosters group-think. If religion is the opiate of the masses (yes), then tv is crack mixed with Prozac mixed with Strawberry Kiwi Mad Dog.

But never mind that.

And “reality”—omigod. If someone following you around with a camera while you have a battery pack strapped to your butt and a mic running up your cleavage is “reality,” then I must be from a different planet. Oh, wait. . . .

So I Netflix this show, and we try to watch it. And it drives us both just absolutely fucking nuts.

We hate pretty much everything about it. Heidi Klum moves and talks like a cross between a robot and one of those cardboard beer advertisement cut-outs. Her wardrobe is so unflattering it makes even HER body look dumpy.

Since when did fashion become “clothes so hip you don’t care if they make you look like a hunch-backed elf on steroids”? What happened to the idea that clothes are supposed to be 1) comfortable and 2) attractive? And that they should fit, which means that they don’t gap open or pull across the back, and that the pleats lie flat and the darts have a functional beginning and ending?

Oh, help me. Need I even mention how endlessly insipid and irritating I found this show? The re-play and re-re-play of the guy falling off the bar when he was doing chin-ups or whatever, trying to impress the blonde girl? Or the brouhaha over the moustache drawn on the photograph of The Evil Woman’s Spawn? And the ridiculous way they caricatured everyone, making them completely two-dimensional: The Evil Bitch, The Bad Boy, The Flaming Queen, The Good Girl.

Holy crap. That part was ridiculous for two reasons:

1) they’re three-dimensional human beings, with facets and contradictions

2) I don’t give a shit about any of those facets or contradictions because ALL I WANT TO SEE IS DESIGNING, PEOPLE!

I don’t watch tv to meet people or find out about what they eat for breakfast. I don’t watch tv to make friends.

Well, OK, I don’t watch tv., period, but if I DID, I wouldn’t watch it for any of those reasons.

I wanted to have them receive the assignment and then hear what they talked about at the fabric store:  how did they choose the fabric? What qualities did they look for?

Then—the part I would have loved—I wanted to look over their shoulders as they sketched out ideas in their sketch book. I would have loved having someone film them and ask intelligent questions about the process:  what was their overriding concern about this challenge? What part of the outfit was going to be the most useful in winning the challenge? What would be the toughest part? What did they include in the design that was hard for them but important, in their opinion? Did they feel the need to do it differently than they would have for an actual customer? How important is fit in showing a garment, and how difficult is it to adjust a design to fit the model?

I wanted to hear about the left-brain parts—staying within the budget, working with a model, answering the challenge—vs. the right-brain parts, the actual design of the garment.

Then I wanted to see them work with their manikin—this would have thrilled me no end. I have never used a manikin but think I might like to have one, and I’d like to see how people use them. I don’t get the way they pin stuff with the seams on the outside and then remove it and make it work—there’s some adjustment in there I don’t understand. I wanted them to talk us through the process. Because most of them were young, and this was fairly new to them, I figure talking through the design process might be really interesting—both for them and for us.

I wanted them to talk about the choices they made—why that sleeve? Why that trim? Why that length or color or texture of fabric?

But, oh, no! We don't get that! Oh, hell, no.

We get catty remarks and meltdowns and a junkie model that should have been in rehab and wasted video of people eating and drinking and smoking and all I wanted was to watch them WORK.

We watched the whole first season. Yes, we did, bless our hearts. We yelled through much of it. I groused about all the parts I knew had to have been manufactured to foster an air of controversy—the hat with the rebel flag patch, the moustache-on-the-photograph, the “stolen” supplies.

And then I came in and went to the Netflix Queue and cancelled every single remaining episode. I can’t take any more. And I will not be watching any more “reality tv.” I  can’t imagine anything that would entice me to try this again. I knew I shouldn’t have done it—I escaped the one about the island and the one about housewives with breast enlargements and the ones about singing and the ones about dancing—I’ve never seen any of those and have no desire in the world to see them. But I so hoped that the people who raved about Project Runway had discovered something wonderful.

Alas, no. Nothing wonderful. Just more of what is wrong with tv and American popular culture and egotistical me-me-me-ness and people whose every action seems so completely baffling to me that here’s the truth: I don’t watch tv or spend time in big crowds or large cities because people don’t make sense to me. The things they do and the things they say—I’m talking not about y’all, but about the masses of regular people out there—just completely confound me. I don’t understand what they love or what they dream about, what motivates them or fills them with joy. I don’t understand what they carry around in their heads all day long or what pushes them out of bed in the morning.

{We talked about this last night—I asked “What do you have in your head all day long while you work?” I love hearing about stuff like this.]

And it’s not other people. I know that. They’re normal. I get that. They’re doing what people do, thinking what people think. They’re living the average person’s normal life. This is reality, or what passes for it in the closing days of 2009.

I know that I’m the one who’s out of step. The thing is: that’s fine with me. I’m happy living in my non-reality world. Reality is fine for other people; I just don’t want to experience it with them, OK?

I’ll take whatever-this-is here at The Voodoo Cafe.

I do think I want a manikin, though.

 

Wednesday, December 30, 2009

Really Good Day

As y’all know, I spend most of my days this time of year going through stuff, weeding out stuff, tossing stuff, hauling stuff to Goodwill. It’s been kind of slow this year, probably because I’ve gotten rid of so much stuff in the last couple years that there’s not much left to deal with, but today things picked up speed and started feeling good. We took a load to Goodwill (where I picked up ONLY 4 new pieces = good job, Ricë!), and even better, something seems to be shifting.

I think I’m going to be able to get rid of more than I thought. I feel a shift in the way I think, I think (no, that’s not a typo).

I may be able to let go of some of the last remaining paper-related stuff—some cool paper I was saving, some other stuff. I’ve really been thinking about how I want to spend my time and about how having unfinished projects and folders of materials for things I never got around to starting—how all of that seems to be like a cloud up in the corner of the room, blocking the light or the air or something.

I’ve started going through some little piles of half-finished stuff, some piles of fabric that didn’t work out quite the way I wanted it to. Instead of boxing it up and shoving it on a shelf in the Fucking Edifice, I’m thinking I may be able to just toss it. Or give it away—but much of this stuff is of no interest to anyone but me: it’s the beginnings and the middles of ideas that never gelled and never will.

So I’m feeling hopeful, and I’m feeling lighter. My goal is to get rid of every bit of clutter, every bit of distraction. The drawers of paper scraps and ephemera, the trims and braid that I can’t imagine using. If, at some point in the future, I need them, I can get something similar. Right now, though, I want clear space all around me—both literally and figuratively. There are dozens of projects I want to work on and dozens of things I want to write about. I want to spend all of my time writing and stitching and doing podcasts and videos related to creativity. I don’t have time to keep an art journal or make collages, and that’s never really been my thang, anyway. I love the supplies—the paper, the pens, the stickers—I’ve loved stickers since I was in high school! (Yes, Virginia, they did have stickers back then).

But it’s time to walk the walk. I recommend that people pare down and focus, and I need to do more of that myself. Never mind that I’m pretty damn focused already; there’re still little pockets of stuff blocking the free flow of ideas and energy.

Here’s hoping I can conquer my resistance to dealing with that in the next couple days. As I said, it’s very, very minor by most people’s standards. But, for me, it’s the last big hurdle in making more room for what’s important.

Wish me luck! And here’s to your own year-end adventures, as well:  good luck and much joy to you!

Tuesday, December 29, 2009

Self Portrait

IMG_2264

My Current Favorite Scissors

I’ve got a ton of scissors:  big ones, little ones, pinking shears. Left-handed scissors, True Left-Handed scissors (you lefties out there know the difference, right?), either-or scissors (Fiskar’s), Gingher (two pair), specialty appliqué, embroidery, manicure.

Well. You get the idea.

Right now, though, these are my absolute favorites, from Fiskars (or is that Fiskar’s? No, I’m not going to go look, dammit):

IMG_2531

I don’t even know what they’re supposed to be used for, but they’re FABULOUS at cutting flannel and wool felt, which are the two things I’ve been cutting lately. I did the last bed jacket fringe with regular scissors, and it took forfuckingever and made my hands ache.

IMG_2532

This time I’m using these, and I had to stop and tell you about them:  they’re THAT great.

Best part? You can get them at Michael’s = hello, 40%-off coupon!

Podcast with Bernie Berlin

I met Bernie at Artfest a bunch of years ago. Her energy and enthusiasm were contagious, and when I found out that her day job was rescuing and sheltering homeless dogs and cats at her shelter, A Place to Bark, well. What could be more inspiring?


I've been wanting to do a podcast with Bernie, but catching up with her is almost impossible. We talked while she was driving her van to pick up dogs. Of course. So it's a short interview--I didn't want to keep her while she was driving--but she's got important things to say. You can listen here, or here



or go over to the sidebar on the right and click on her name.

Enjoy!

Hey, Thien-Kim!

Want a book? I never heard from Mara, so I’m picking someone else for Violette’s book. The EGE is going to make the trek through the blinding blizzard (or at least our West Texas version of one) to go buy cat treats and take stuff to the post office. Send me a note!

Monday, December 28, 2009

This Week’s Give-Away: Somerset Studio with Daniella Woolf

I’ve got an extra copy of the brand-spankin’-new Somerset Studio here to give away this week.

magazine

In this one (which I haven’t even had a chance to look at yet—yiiiiii!), I interview Daniella Woolf. [Be prepared:  the home page of her website always makes me a little dizzy—or maybe that’s just me? But it’s worth it once you get stabilized.}

If you’re not usually a fan of Somerset, you’ll want to check out Daniella’s work—something completely different. She’s just sent me a DVD that I can’t wait to watch—I’ll report on that when I’ve had a chance (all this weeding and sorting and organizing and planning and finishing-up of loose-end projects takes a TON of time, as y’all know).

So zip over there and take a look at her work and then come back and post a comment and tell me what you think about it. I’ll pick someone on Friday. If you don’t think you’ll remember to check back on Friday, then please: don’t even bother. I’m getting a little testy again about having to keep reminding people who win stuff.

[See, here’s the deal:  I love sharing what I have. I love seeing things go to people who want them. I don’t mind paying postage to make that happen. But I’m not selfless here:  in return, I want people to come back. I want them to check back to see if they’ve won, and then check back to see what else is going on, and then subscribe and hang out and post comments and be a part of a community—that’s what I want. I don’t think it’s too much to ask, do you? No, you don’t.]

[And if I don’t hear from last week’s winner by tomorrow, I’ll pick someone else for Violette’s book, as well.]

OK, enough gritching. Go check out Daniella’s work. Come back and enter for the magazine. I won’t whinge at you any more, I promise. At least not right away~~

Sunday, December 27, 2009

Hey, Mara!

Cat

Organizing Your Actual Stuff—Part the Last

At least I think this is going to be the last part. But who knows? I may think of something else.

Right now, though, it seems that all we need to do is find a way to organize and store your stuff, right? We’ve weeded out, found a little space for your studio set-up. We’ve painted it (or not), put in furniture (or taken it out) and gotten it set up. Now we just need to figure out how to store The Essentials—paints or fabrics or pens or paper or some of all of that or whatever it is that you need.

Oh, honeys—I’ve had TONS of storage systems over the years. I had tiny little shelves I tacked up on every wall for rubber stamps. Later I put up larger, sturdier shelves. Then I took all those down and put up “real” shelves.

At one time, I stored the overflow of rubber stamps on 6’ rotating plastic sunglasses displays. I had 4 of those in the middle of the room. You talk about some ugly, unwieldy pieces of poorly-made crap. But! They worked perfectly!

Then The EGE bought me an antique oak flat file—a huge thing that now lives in The Fucking Edifice—and I had several custom-made smaller drawer units built—I still have those, and they now hold beads, what few stamps I still have, and miscellaneous office supplies.

IMG_2526

There are 8 of these, each with 5 drawers.

Then there are all the plastic storage things:

IMG_2529

I used to have way, way more of these before I started weeding out, but as I got rid of stuff, I got rid of them—The EGE took dozens to school:  8.5” x 11” paper fits perfectly in the drawers, so they’re great for teachers. I make a label for each drawer so I can see at a glance what’s in it.

I went ahead and took a photo of my pen-and-pencil storage, but it was blurry, and I’m not taking it again:  it would make Kelly gnash her teeth, for sure, since all my pens are stored in (shhhhhhh!) coffee mugs. Yes, yes—I KNOW this is a bad idea and that all my pens will die horrible deaths, but I also know me: when I put them in drawers, lying flat, the way pens should be stored, I never, ever even thought of them. In fact, I have a box of brand-new Pigma pens, bought with coupons over many months, and I completely forgot about those suckers until today, when I picked up what I thought was an empty box and went, “Huh?” and found a ton of pens I didn’t know I had. (This is what I do with the 40%-off coupons at Michael’s and Hobby Lobby:  pens.) Plus I don’t have fancy expensive pens, anyway. Like many left-handed people, I have a really iffy relationship with most pens.

Anyway, for me, I have to have them out where I can see them. But you, of course, will find a much better, pen-friendly method of storing yours, right? And make Kelly proud!

The point of all this is this: find storage systems that work for you. Look in your kitchen, your bathroom, you closets. See what kinds of things might work—trashcans for storing rolls of art paper, tie racks for hanging ribbon, silverware trays for storing pens (the Right Way!). Garage sales, estate sales, Goodwill—storage that didn’t work for someone else might be perfect for what you need.

And here’s the absolute best advice I can give you about storage:  I have a fool-proof way of determining the absolute best place to put something. Say you’ve got a collection of something—rolls of tape, bits of yarn, pieces of Something-or-Other that doesn’t yet have a specific place. You need to put it somewhere where you can find it again, because lord knows that once it’s stuffed in the back of some drawer in the spare bedroom, you’re never, ever going to see it and your family will find it after you’ve died and they will gasp and go, “Omigod! Why did mom have 37 rolls of masking tape and a plastic trash bag full of dryer lint? It was even worse than we thought!” Spare them that, OK?

Do this: take whatever it is and hold it in your hand and then close your eyes and think about the first place you’d look for this if it were missing. Quick! Don’t think! Whatever place pops into your head first, that’s the place to make its new home.

Unless, of course, you are actually holding a bag of dryer lint and the first place that pops into your head is the refrigerator. I don’t recommend putting all your collection of lint in the vegetable crisper—too much risk of something sticky leaking in on them. Plus it will terrify your family members or housemates when they find it and are forced to schedule an Intervention.

Maybe it doesn’t actually mean that the refrigerator is the first place you’d look for lint; maybe it just means you need to stop and fix a snack.

But try it—hold stuff, think about it being lost, then close your eyes. Be quick! You really might end up with stuff in odd places, but at least you’ll be able to go to those odd places and find it. Take it from someone who can’t remember shit on a GOOD day:  it works. Because when it’s lost? And you can’t find it? You sit down, cup your hand as if you’re holding it, shut your eyes, and let your brain do its thang.

See?

The real problem for me comes when I rearrange things and put them somewhere new.  For almost 20 years, I stored the coffee under the cabinet. Then I decided to store it in the refrigerator—so it would stay fresh longer (I know:  not recommended). Then, for some reason, I decided to try putting all the various bags of coffee in the freezer (something I read, before I read the other thing about how you shouldn’t store coffee in either the refrigerator OR the freezer. But see, it’s like this:  we have a regular refrigerator/freezer in the house. Then, in the FE, we have the full-sized freezer my mother bought The EGE back when he still ate a lot of ice cream:  an ice cream freezer (it was for his birthday, and I filled it with a couple dozen kinds of his favorites. This was back when “cholesterol” was something old people thought about). Then, when my mother died, we kept her refrigerator, since it was less than a year old. It’s in the FE, too, and so we have way more room to store stuff and keep it cold than we do to store it any other way. See?)

So now, every night when I set up the coffee maker for the next morning, I open the door and look under the cabinet and immediately go, “Oh, yeah,” and then open the refrigerator and look in there and then go, again, “Oh, yeah!” And then finally find the damn coffee in the freezer, right where I put it the night before. My brain remembers all this, but my automatic actions of turning to pull open the door to the cabinet are much too ingrained.

And, oh, yeah, I DO think, “Holy shit, Alzheimer’s!” Because you know the stories they tell alwaysalwaysALWAYS involve someone putting something in the freezer. Socks. Or a flashlight. So freezer + no memory = really scary associations. I was always terrified to go to my mom’s and open her freezer for fear of what I might find there (never anything odd) and what that would mean (there were plenty of other things that meant something, but never any Scary Freezer Stories, for which I was ever-so-grateful).

Oh, well. At least the brain’s still working well enough that I don’t open the freezer, see the container of coffee, and go, “What the hell is that gerbil doing in the carburetor?” Although it’s probably only a matter of time. . . .

What were we talking about?

Storage, damn it! Obviously, this is something I’ve thought about a lot. And the intricacies of finding places to put your stuff are such that, once again, all I can say is that the more stuff you can shed before you begin to sort and store the rest, the better off you are.

And, well, if you’re really strapped for space, you could do worse than utilizing that empty space next to the ice cream. . . .

Just make sure you leave a note explaining it to your kids.

Saturday, December 26, 2009

New Year’s Day Dinner Party Invitation!

I just had the Best Idea Ever. Oh, sure—people have parties in the blogosphere all the time. I know that because I’ve read about them, even if I’ve never been to one. Because, frankly, some of them seem like almost as much work as a REAL party.

That’s not what I’m talking about here. This party isn’t going to require that you dress up or take photos or do anything at all. Unless, of course, you’re inspired to do that—then go for it!

No. Here’s the deal:  I was thinking about my dream dinner party, where all my favorite creative people would sit around a big table for hours, eating and drinking and talking and sharing ideas and inspiration. But, unlike In Real Life, nobody’s butt or legs would get numb, and nobody would have to worry about getting home to walk the dog, and there wouldn’t be any washing of dishes or any actual cooking of food. No calories, no indigestion, no driving through the sleet and snow.

So here’s what let’s do. You’re all coming to a party. My little table in the sewing studio is going to amazingly, miraculously expand to seat everyone. And it’s going to turn into a big sturdy table with marvelously cushioned chairs, the kind you can sit in for hours. And—get this!—not only will there be room for all of us, but even though there’ll be multiple conversations going all the time, we’ll each be able to hear everything everyone else is saying and join in (or not) each conversation—so we won’t miss a thing!

You can bring a guest, if you know someone creative who’d like to come. Or come alone, just so you can get away. Bring your partner or spouse, or leave them home to watch the games. Tell us who’s coming with and why.

Tell us what you’re bringing to drink. You only have to bring one—one bottle of wine, or one pot of tea—because whatever you bring will expand so there’s enough for everyone to have all they want. So if you want to make punch, you don’t have to make enough to fill a swimming pool; just the regular little amount.

Bring something to eat. Something you love, something you enjoy picking/finding/buying/making. Again, you only have to bring a regular amount.

Then the fun part:  tell us what you want to discuss. Not politics, not religion. Not kids or money. But there’s something you’re thinking about for the new year—some plan, some dream, some goal, some puzzle. Maybe you’d like to discuss fabric dyeing with a bunch of fabric artists. Or maybe you’d like tips about setting up art classes. Or maybe you want to paint in Spain. Or maybe you want to talk about where other people’s ideas come from. Maybe you’re dreaming of starting your own creative business. You’re going to be hanging out with dozens of fabulously creative people for hours, and you can talk to them about anything you want. And they’ll happily join in.

Tell us your list (or just one, if you want) of New Year’s Resolutions—or dreams or plans or wishes or however you think of them.

Optional: you can tell us what you’re going to wear, if that interests you, and you can take a photo or send a link or post a sketch—whatever you’d like to do. Remember:  you can dress in the most elaborate costume you can imagine and not have to worry about wrinkles or the hat being too wide or whether the bustle will fit in the chair—you will be perfectly comfortable, even if you show up nekkid or covered in glitter and tinsel.

Pass the invitation on to other people—we have infinite space, and the more, the merrier.

If you’re reading this on Facebook, please hop over to my blog to post so everyone can read it.

In Real Life, I’ll spend the afternoon at yoga nidra, as I do on New Year’s Day. But that won’t interfere a bit with my ability to be at The Best New Year’s Dinner Party Ever.

Join me!

Mr. Joy & A Voodoo Doll

Two more pieces went into my Etsy shop today. There’s Mr. Joy:

IMG_4736

And a Voodoo Doll Pin:

IMG_4752

Don’t worry—this won’t turn into an endless Etsy Shop Listing Blog. After these last two Voodoo Dolls are listed (soon, I hope, but there’s work to do), I won’t have any more mostly-finished pieces and will be back to my usual slow, slogging pace, where it takes FOREVER to finish anything.

But for now—wheeeee:  it’s been great to get things finished and ready to go. I don’t like having half-finished projects hanging around. Makes me feel like a slacker. And guilty:  finish what you start. You know.

Here they are.

 

Hey, Mara Spires!

Congratulations! You win the copy of Violette’s book! Send me your address, please~~

Thursday, December 24, 2009

Family: What a Concept

I have always been baffled by the intense focus on Family. That’s all you hear this time of year: It’s about Family! Family is the most important thing! We’re nothing without Family!

If that’s true, I’m screwed.

I grew up an only child. My father was an exploration geophysicist for Conoco, with the operative word being “exploration”—we moved constantly around the oil-producing western states. My parents weren’t exactly intensely Family People, either—they were both estranged from at least some of their siblings by the time they died. My parents died, and that was the end of my biological family.

So I have no brothers, no sisters. I’ve never reproduced, nor has The EGE. I never had a close relationship with my cousins and don’t even know which ones are still alive, since I’ve had only the most minimal of contact with relatives since I announced my engagement in 1977, the biggest family scandal ever in history since Thomas Jefferson said, “Oh, gee, by the way. . .”

In fact, I have no contact with anyone I knew before the day I met The EGE, when I was 19. It was like that was when my life began.

I married into a big family. The EGE was one of nine brothers, with dozens of cousins and aunts and uncles and, now, nieces and nephews, more in-laws, the next generation of children. Tons of people. Even he can’t keep track of them all. We’re not even sure how many nieces and nephews we have, as some of the brothers are still reproducing.

I may have mentioned at some point on this blog that children are not my favorite lifeform. I didn’t like children when I WAS one. There’s never been a moment when I cocked my head, dog-like, and asked, “Is that my biological clock ticking?” I don’t think I came equipped with one of those. 

The Zachery Boys and their families get together three times a year—Thanksgiving, Christmas, and New Year’s, meeting in the afternoon in their mom’s den, sitting in folding chairs balancing Styrofoam plates in their laps, talking and eating and telling stories over the mandatory football game on tv.

The stories are about

1) sports

2) things they did as kids

3) their dad.

There are hardly ever any stories that involve any of the women, who are pretty much peripheral. There are three Original Wives, and then there are ex-wives and new wives and girlfriends and women of undefined relationship status. At first I tried to get to know each new woman in the family and tried to bond with them, in a womanish sort of way. But then I gave up. It was tough when wives became ex-wives and new women showed up.

You know how it is in big families. You meet a new  woman, you get to know her over turkey and bacon, you learn her History, and then the next year, she IS history, and in her place is someone brand new. And you learn about her, and then—well, it doesn’t take long for it to get really, really old. You slip and call the current woman by the last woman’s name, and you forget which kids from previous relationships belong to whom.

If you do develop a relationship with one of the women, it’s even worse. You sit together and talk, you become friends. And then one day she’s gone. Perhaps it’s nasty—you know how break-ups can be. You hear that she was  possibly the devil, or at least a Yankee. Maybe she calls you and tells you her side of the story, tells you your brother-in-law is secretly a spy for the Canadians or something. You realize in a hurry that this isn’t a place you want to be, right in the middle of Love Gone Wrong.

Or there’s a new woman who’s around some of the time but not around all of the time, and you can’t really figure out if she’s just a date or if she’s someone you’re going to be related to at some point, so you just make polite conversation and don’t ask any questions.

But it’s OK, because the core of the family is The Brothers, and that’s as it should be.

Sometimes I listen to them talking about growing up, remembering things they did and correcting each other’s versions of events and laughing, always laughing, and I think I’m probably missing something. There have been people who delighted in telling me that I’m going to be miserable someday, all alone and without a huge, loving family. Without anyone at all, is what they say, often with some apparent glee. I hope they are wrong, as my fondest wish in the world is that my husband will outlive me and that my wish as I’m dying with be that his second wife will have perhaps just the tiniest hint of a moustache.

Perhaps instead I will  end up wishing I’d had a big family, with kids and grandkids and people who adored me and didn’t mind changing my Depends. I can’t imagine that, but who ever knows how they’ll feel in five years? Ten years? Maybe I am missing something. It doesn’t feel like it, but how can you know if you’re missing something if you’ve never known it? It’s like missing the taste of Martian teaflowers:  hard to imagine how it might make things any better than they already are.

 

Wednesday, December 23, 2009

I ♥ This So Much!

Rhomany sent it to me, and it makes me happier than dirt:

I-have-the-dumb

It explains so much of life, does it not?

Milagro Pin Doll #2: El Sol

Two finished, one to go. Well, actually, all three are finished—I just have to get The EGE to photograph the last one.

1

This is El Sol, beaded to celebrate the Solstice yesterday:

I love him, but I have Milagro Pin Dolls all over the house, so he needs a home of his own. You can see him in my Etsy shop here.

Thanks for looking~~

Tuesday, December 22, 2009

This Week’s Fabulous Give-Away: Journal Bliss by Violette!

Listen to the podcast and then post a comment here, at the bottom of this post, to win your very own copy of Journal Bliss:

book

Y’all know how this works:  post a comment and then check back on Friday. Or, since it’s a holiday, at least by the end of the weekend, OK?

Podcast with Violette!

You may have nocticed all the cool, funky little cartoon drawings in my last book, Living the Creative Life. Those were done by Canadian artist Violette, whose blog draws tons of visitors from around the world.

As you might guess, I adore her Magic Purple Cottage and her Glitter Girl Van. A woman after my own heart! So this week I talked to her about her new book, Journal Bliss, her tutorial videos on YouTube, her website, the importance of visual journaling--just a whole bunch of inspiring stuff!

You can listen to it by going over there on the right and clicking on Violette, or you can click here.
Or you can listen right here:



Or you can find it on iTunes. However you listen, you're in for an inspirational treat!

One of the Last Milagro Pin Dolls in Existence

Years ago I made Milagro Pin Dolls. I made a ton of them, and they sold all across the country for $75-$125 each. They were great fun—you might have seen them in various books (I can’t remember or I’d post links or something).

Then two things happened. I was given a groovy old yearbook from an historically black college, and I used some of those faces on some of the dolls. I had a booth at  show, and I had a bunch of the dolls out. And people came buy and picked them up and looked at them. The pin dolls with Caucasian faces sold. The ones with African-American faces did not. Not. A. Single. One.

But people have their own tastes, so that’s OK. I just didn’t want to ever offer any more of my little pin dolls for sale.

And then, around the same time, we were at the quilt show in Houston, and there, hanging in a booth, was a kit for making pin dolls. Instead of real metal milagros, they had plastic copies for the arms and legs, but otherwise, they were pretty much the same thing—muslin, transfer faces, beads, pin back.

That was it. I was kind of stunned at first, but I realize that ideas are out there. Maybe someone else had been making them way before I did.

Yeah. Right.

Anyway, I was over them. They’d been fun, and we’d had a good ride. But I had no interest in making any more.

In cleaning out stuff recently, though, I found three that I’d started long, long ago, before I quit making them. Everything had been done but the beading, and as part of my Year-End Finishing-Up Push that’s going on right now in The Voodoo Cafe, I decided I’d bead them and offer them in my Etsy shop.

I put the first one in this morning, at considerably less than the original price. You can check out The King of Spades here. And no, he’s not The King of Spades because he’s a black dude; he’s white, but his body is a transfer of the ace of spades from an old deck of cool cards. Given the history of the pin dolls, it just amused me to call him that. He was amused, too.

Monday, December 21, 2009

Hey, Sandy!

Cat

Sunday, December 20, 2009

Duct Tape Christmas Tree

Here’s Mark Tower, a student at Midland College, working on his duct tape Christmas tree yesterday at Starbucks. Sorry about the noise in the background, but you know how coffee shops can be REALLY loud. If you want to check out Mark on Twitter, he’s @marktower.

This tree is made entirely of duct tape—the trunk, the branches, the needles, the silver chain, the star that will go on top, the ornaments he just started working on yesterday. The little hangers for the ornaments—EVERYTHING.

Mark likes making things out of duct tape for a lot of reasons. One is that it gives him time to think about physics problems and experiments and inventions—listening to him talk about all the things that fascinate him is inspirational, indeed. I’m going to try to arrange to hang out with him and stitch and listen to him talk. Pretty cool!

Do Me a Little Favor, Please

If you would, I’d be ever-so-grateful if you’d help me organize my mailing list. Never fear:  I do not send out tons of mailings! No newsletters, no spam mailings, no ads—well, except the postcards—see below.

No—pretty much all I do with it is 1) send out the postcards when a new book comes out and 2) sometimes send out a random piece of Actual Mail—you know, like a card or something. For fun. You know, like in the old days, when people send each other notes and stuff.

The problem:  while I know many of your names—Postal Orphan, Jazz, Mo, Warty Mammal—and perhaps have your Actual Name and Real Address on the list, I have no way of matching the two things together.  So if I know you here as HelloDolly, I have no way of knowing that your Real Name is Jason Smith and that you live in Stanton, right down the road.

And I’d like to do that. So if you would send me, to voodoocafe at suddenlink dot net, whatever screen name you use, plus your Actual Real Name and your mailing address, I’d be very, very happy. You do not have to do this, of course. But please?

And I promise you won’t get Postally Spammed. At least not by me.

Thanks a bunch, sweeties!♥

Saturday, December 19, 2009

Light & Heat

We went to another holiday concert last night, this one Tom Braxton playing with the Lee High School Orchestra. Great music, wonderful evening. We sat with some friends and, during intermission, talked about music and drama and theatricality and the unfortunate proliferation of theater majors in a wide variety of non-theater professions.

One of the larger cities up north installed LED traffic lights to replace the old, regular traffic lights. These are brighter and, probably, last longer or are cheaper or something. For whatever reason, these have become popular. You see them as headlights, too—those hideously blindingly bright lights that just seem hostile somehow, shining in your eyes as you try to navigate your way through the night.

Anyway,  traffic engineers discovered after the first snow and big cold snap that there’s a problem with these brightbright LED traffic lights:  since they they give off plenty of light but no heat, the mixture of snow and ice coats the traffic lights, and it doesn’t melt off as it did with the regular lights.

Plenty of light. No heat.

I  personally hate these lights. I don’t like them in my house, and I don’t like them on the highway. And, basically, I don’t like them in theory. I like my light to come paired with heat. I like warm, glowing light. Sunlight, firelight, candlelight.

Come along with me here~~

I like things to be illuminated, to have a light shine my way and brighten my path. But a harsh, sterile light doesn’t do this. Those lights are blinding—you know how it is when one of those trucks with the hugely bright blinding LED’s comes toward you on the highway, blasting light into your eyes even after they’re dimmed the brights? You’re blinded a little so that you can’t really see much of anything else. You can barely see the road in front of you, much less anything that might be crossing from the sides. Your path hasn’t been illuminated, and your way hasn’t been brightened.

LED light is taking over the world. The bright coldness, the harsh glare. I thought about this all evening and woke up thinking about it.

The concert was good. The kids played really well, and I was impressed with their ability to hang with Tom and his band as they improvised a little. Lots has changed since the days I was in band. We would never have gotten a chance to play with a Famous Musician. Hell, we did well just to play with each other, never mind that we had some good musicians, some of whom went on to play professionally or teach music. Things have changed a lot in the world of high school music-making, indeed. Much of it is wonderful, like the fabulous opportunity they had last night. Lots of it is kind of silly, though, and I was a little irritated by some of the theatricality.

After every song, the conductor would give little flourishes of her hand to have the various sections stand up and bow. She would leave the stage periodically and then have to be reintroduced and applauded as she came back on. At one point she refused to come back until she was ready, standing on the side of the stage, waiting for the proper moment and re-introduction.

It was, frankly, tedious as hell. I love applauding performers for their work, and I don’t mind a standing ovation when one is warranted, especially for kids who’ve worked hard and done a wonderful job. But the constant drama of standing and bowing and entrances and exits and introductions and re-introductions and the handing out of flowers. Well. I turned to The EGE and made that little rolling motion with my hand:  just get the fuck on with it already. I don’t want just the light—the pomp and ceremony, the bright lights and glitter. I want the heat, too—I want the passion, the hard work, the friction and struggle that makes that light warm and toasty. I loved hearing the kids play, and I wanted them to play more. And I wanted them to learn that the playing is what matters. It’s not about playing a little bit and just beginning to tune into that right brain mode where you’re in the zone and the music takes over for you and you become the music, you’re one with the music and the other musicians and you’re totally into it.

And then the song ends. With just light, you’re not a musician waiting for another piece to begin. No. Now you’re a performer, you’re into left-brain mode, and you’re standing to take applause. There’s a break, and there’re introductions, and it’s no longer about the music, about a group of musicians waiting on the cusp of more music—poised there between one piece and the next, the quiet, uninterrupted pause being the thread that ties the pieces together and creates a cohesive performance, rather than just a string of unrelated pieces played one at a time.

Think of athletic performance. Imagine warming up, getting your body warm and limber for the work, and then doing whatever it is—running a lap or dribbling down the court or running with the ball—whatever it is. And then you stop and stand around and bow and wait. Your body starts to cool off, things start to get tight. Then you’re expected to jump in and do it again.

Imagine being in the studio. Your best work, the work you’re proud of and that you keep coming back to as a touchstone and a benchmark of what you can do, is the work produced by attention and friction and long, careful focusing on the idea that’s moving you. It’s not created in a series of short, stand-alone, made-for-tv bursts of energy, like those projects on the craft network that have to be completely between one commercial break and the next, or between bouts of schmoozing with the host about the wonders of low-temp hot-melt glue.

It’s Project Runway, where the creation of the garments—the problem solving, the working, the experimenting and re-inventing—is constantly interrupted by whining and talking, by drama and silliness and interpersonal exchanges, so that you don’t ever get to follow the thread of an idea from start to finish.

It’s what passes for news, when the half-hour of news is a bunch of unrelated stories interspersed with joking and opinions and pontificating. There’s no flow of the events of the day, from international news to national news, working the pieces into some kind of order that helps makes sense of what’s going on.

It’s sermons in church that are about the robe and the entrance and the exit, the music and the broad gestures. It’s no longer a well-planned talk about an idea, carrying it from an initial musing through several illustrative anecdotes into a longer, deeper enlightening story that leaves the congregants with something to ponder as they make their ways home.

Where is the heat that comes from focus and sustained energy? It’s as if we have become afraid of warming up for something big, something demanding, and then doing this thing, whatever it is, all the way through, staying focused and generating heat. It’s as if we’re so afraid of the long, intense focus that’s required of something big that we never push ourselves beyond the quick bursts of glitz and sharp light.

Think of being on the beach on New Year’s Eve, looking up and seeing the fireworks with their brilliant flashes and their showers of color.They look marvelous, and they’re fun to watch. But it’s not their flashy brilliance that holds your attention:  it’s the warm glow of the bonfire there beside you. The fireworks are easy:  you buy them, you set them in the sand, you light them. They go off.  They attract attention. The bonfire requires more work:  you gather the wood, you build the fire in layers with kindling, you light it, you coax it, you tend it, you stoke it. It demands your energy and attention. Not as exciting, maybe. Not as sparkly. But its steady golden light is the kind that will warm you and fill you up for that quiet trek through the night back to your car, your home, your bed.

Fireworks are bursts of brilliance interspersed with nothing. They impress us and make us go, “Oooooooh!” But a fire is slow and steady and sustaining, and its golden glow is what’s going to keep us warm and light our way through the dark.

Warm, golden light. Something I’ll be thinking about as we near the solstice.

Friday, December 18, 2009

And This Week’s Winners Are:

Sandy, for 365 Days

and

Juliet A, for the ‘zine book

Congratulations! Send me your addresses, please~~

Voodoo Cuff in Etsy

Yeah, I heard y’all about the constant advertising in blogs and stuff, so I’ll keep this short and sweet: I finished another groovy cuff and put it in my Etsy shop today. I’m having a blast with these, so you’d think I’d be cranking them out a lot faster, right? But no, not moi: what I love about them is that I can do tons of handwork without it taking me weeks and weeks. But it’s still handwork, and it still takes forever.

2

If only I could figure out how to do hand stitching in my sleep. But given that I broke a needle in half this morning, a needle that I was holding in my actual HAND at the time, perhaps it’s better if I do this only when I’m fully conscious.

And that means you won’t be getting these Etsy Announcement Posts all that often.I’m fast, but I’m not that fast.

Anyway, if you’d like to take a look, it’s here.

[Note to self: remember to do this when The EGE is home to take Real Grown-Up Photographs. Sheesh.]

Thanks for looking, sweeties~~♥

 

You Can’t Take Me Anywhere

So last night we went to the West Texas Jazz Society’s Holiday Concert at the Midland Petroleum Club.

Whew. I’m tired already, just typing all that. By the time I finish this story, I’ll be too old to get up out of this chair.

The Petroleum Club. I don’t really know what it’s like in its everyday incarnation, but the place is legendary in Midland. I’d never been inside until lately, when we started going to concerts and dances there. Back in The Day, only members and invited guests ever saw the inside of it. Oh, and the workers. The EGE has lived here all his life, and he says it was always very exclusive. I read some article about Midland in a national magazine, back when Bush Ruled the World, that talked about The Petroleum Club and its Rich Whiteness.

You get the idea.

When The EGE and I go, the only people of color we see are the guys at the valet parking stand out front—people we know and stop and talk to, much to the bafflement of the people having their cars valeted.

I love “valet” as a transitive verb!

So anyway, it’s that kind of place. And even with jazz concerts, there are still a lot of Old Midlanders who seem rather amazed to see us there.

The EGE and I made a decision, long, long ago, when we first married, that we would live in Midland, but we would live in Midland our way. We would go where we wanted to go and do what we wanted to do. It hasn’t always been easy; we’ve had some battles. And one lawsuit. The only reason we were ever shown the house we live in now is because I had a little meltdown with the real estate agent and threatened to turn them in for discriminatory practices, and she called me back and begged me to let her find us a house.

We met and married in Midland, but that didn’t mean we had to buy into its backward ways. It’s a very, very class conscious town, one of those places where, just a couple years ago, I heard one man tell the people he was with that he never goes south of Wall Street and never would. Hell, when I was in high school, I wasn’t allowed to go east of Main Street. When The EGE was growing up, he couldn’t eat downtown unless he sat at a table around in the back, and if he needed to pee, he’d better get home as fast as ever he could.

Yes, there were drinking fountains with signs above them: Colored. White.

So this is the town where we live. Rabidly conservative, hyper-religious (and here “religious” means “conservative Christian”-- we’re not talking about mosques and synagogues here, people), class-conscious, full of Old Money and Oil Money and Ranch Money and lots and lots of people for whom the whys and wherefores and whos of that money is a very, very important thing.

Having grown up all over the western oil-producing states, moving all the time, never staying in one place long enough to know the people and the timbre of any town, this kind of stuff has never meant anything to me. While I may recognize some of The Names in town (mostly because streets have been named for their families), it means nothing to me because I don’t know the people and don’t know what they did to get rich and don’t know why it is that they’re Somebody Important.

Some of these people have been very generous to the community and have made lots of things happen. And that’s good. But if you have a shitload of money and live in a town where streets have been named for your various family members, it’s kind of what you’re expected to be doing anyway, I would guess.

I’ve never really understood most of it and have to admit that I care less and less for convention the older I get.

Enough history. The point (and, yes, I think I had one) was that we have always gone where we want to go. To the dancehall where no one speaks English to Juneteenth in the park to the country club to the Stardust to Earl’s brother’s club. Well, we went there once, and then we told him that we’d come back when he made it a non-smoking club. In other words, When Pigs Fly.

And last night we went to the Petroleum Club. Now, most of the members and friends of the West Texas Jazz Society are older than we are, and they dress conservatively:  the men mostly wear sports jackets and slacks. Some wear ties. The women wear slacks and sparkly sweaters and heels, for the most part.

The EGE wore slacks and a pale pink sweater over a pink shirt. Black dress shoes. Classy casual.

I wore my favorite dancing outfit:  black strappy heels, two layers of dyed skirts, and the fabulous beaded silk bustier I found at Goodwill. I wear it over another, red lace bustier with a strapless bra underneath.

Wait, wait:  I know you think this is way, way, Too Much Information, but there’s a reason I’m telling you this. I swear. I promise there won’t be any more details about any other undergarments!

Here’s a photo taken a couple months ago that’s sort of the same. Last night I had a red skirt over a bright lime-green skirt. Very holiday-ish, I thought.

IMG_2314

The bustier is fabulous, as I might have mentioned. It’s the kind of thing that other women notice and comment on. They almost always ask where I got it and then say something like, “It’s not something I would ever wear, but it’s lovely.” You know, like, “Gracious, aren’t you a little old to go strapless? And don’t you think you might want to cover up some of those tattoos? You do look kind of like an aging hooker, you know that, right?”

I always say thank you, but if they ask about it, where I got it, I tell them:  $19.99 at Goodwill. This usually makes their mouths gape slightly. I don’t know whether it’s because they’re thinking, “Holy shit, I’d better get my ass down to the Goodwill,” or because they’re dumbfounded that I’d admit I shop there.  Or because I’ve committed the faux pas of mentioning price. If they seem to want more information, I tell them what a good thing it is to support Goodwill, and I mention how the store works with the kids in the special education classes in the high schools.

Way too much information for them, you can tell. But I like to think it might encourage someone—if not to shop there, at least to donate last season’s wardrobe, you know"?

OK. So I’ve got on the bustier, with a tissue tucked down into it. I have no pockets anywhere in these clothes, and there’s no way in hell I leave the house without a tissue. Lord, no. Because if you have to sneeze, you must be able to grab a tissue to sneeze into. If you don’t have one and try to stifle the sneeze? Well, girlfriends, I think we all know what can happen then. Stifling a sneeze sort of ruins the delicate balance of water pressure in the female plumbing system as it ages, if you get my drift.

Which reminds me of a woman who bought a bunch of my journal skirts. She is my age, and this wasn’t all that long ago. She said she’d wear them everywhere, and she’d wear them with her boots and thick hiking socks. Why? Because she doesn’t wear underwear. What does not wearing underwear have to do with your choice of footwear? She explained that, when you don’t wear underwear and you sneeze, it’s a good thing to have on really, really thick socks.

Yeah, I squealed, too.

So I carry the one tissue, tucked down inside the bustier. Because, you know:  thick socks look like shit with heels.

Now, I know some women who could put everything they own in a sturdy bustier. Their cell phone. Their wallet. Nancy Reagan’s Little Gun. Me? A tissue is about as far as it’s going, something I learned way back the summer after the 9th grade, when we were at the swimming pool, goofing around. I took a boy’s keys and, thinking to keep them from him, I dropped them in the top of my bathing suit. He rolled his eyes and picked me up by my elbows and shook me, and the keys dropped to the ground. Much to the hysterical delight of everyone present. So, um, no:  not a lot of architecture for storage in my foundation garments.

So. The concert. On the one hand, we always manage to have a table that’s not fully occupied. People will kind of start to sit down and then glance at us and move on. On the other hand, there are lots of people we know. Hence much schmoozing. There’s another couple we know from dancing, and the guy always Talks Ties with The EGE. He seems to think that because The EGE is always color-coordinated, he has an interest in ties. This is not the case:  The EGE loathes ties. He really, seriously hates them. I don’t blame him: I’d go nuts if I had something tied around my neck. It would always remind me of the horrible, horrible story I read when I was a kid about the man who married a woman who always wore a yellow ribbon tied around her neck and would never take it off and never tell him why. So one night while she was sleeping, he untied the yellow ribbon and HER HEAD FELL OFF.

I swear I didn’t sleep for a couple years. And back in the late 70’s, when everyone was tying scarves around their necks? No way. Uh-uh.

Anyway, so this guy is pointing out how his tie matches his slacks, and I say, “My husband’s underwear matches his shirt.” And he turns to me and shakes his finger and says, “That’s way too much information!” and then turns back to The EGE and makes some coaching reference I didn’t understand, something about some NFL coach and his underwear.

I have to confess that, after 30 years as A Coach’s Wife, I tune out every reference to coaching and almost al references to sports. I was A Coach’s Wife, and I was a damn good one. I went to games and meets and tournaments. I kept score and drove team vans and helped haul equipment. I sewed up basketball shorts while the shorts were ON THE ACTUAL PLAYER, and I bandaged cuts and handed out water.

I’ve done my time, and I don’t care if I ever see another athletic competition ever in my life. Ever. So I tune it all out: Sports = eh.

The music starts. It’s a jazz quartet, with a vibraphone player and a bass player from Oklahoma, a drummer from New Orleans, and a guitar player from Sacramento. The band leader is something of an asshole, but what can you say? During the intermission I compliment him. He’s drinking beer, and he looks at me and says, “Yeah,” and turns away. And I’m like, “?” Sure, he can play the vibes, but he’s a fat guy with a ponytail drinking beer out of a bottle, so what’s up with the attitude?

Anyway. I’m going on way, way too long here, so let’s cut to the chase. The music starts. We get up to dance. We’re the only ones dancing at first, until the other couple gets up. The EGE is chewing gum, and I say, “Boy, don’t you be smacking that gum at me!” and he, being The EGE, grins and gives the gum an extra good smack. I laugh and lean back, and he opens his mouth to give it an even better smack, and the following happens in Ultra Slow Motion:

I’m leaning back in his arms, laughing. His mouth is open. His gum leaps off his tongue and sails, in a perfect, glorious arc, toward me. I see it glistening in the sparkles from the tiny twinkly lights. It’s like a tiny, miniature baseball sailing in the lights over the homerun fence as it arcs up and out and down, down, down

into the front of my bustier, where it lands, WHUMP, right between my red lace breasts.

I look down. There is his gum, sitting all shiny on top of the carefully-tucked-away tissue.

I say, “Hee.”

My husband, without missing a beat, reaches into the bustier, plucks out his gum, and pops it back in his mouth.

This is when I completely lose it.

I have never laughed so hard in my entire life. He tries to keep us dancing, but it’s mostly him holding me up. Tears stream down my cheeks. My knees buckle. I hold on to my ribs.

I am so, so very happy I peed right before we left the house.

When I go into the restroom during intermission, one of the women comes up to me and says, “OK, I have to ask what you were laughing about while you were dancing. I could hear you.” I try to tell her, but I start laughing all over again. She listens, tilts her head to the side, and without cracking even a smile says, “OK, I can see that that would make you laugh.”

Indeed.

Pink Glove Dance

It’s been out there a while, and you may have seen it, but when Nan Spring (the fabulous photographer who took that photo over on the right) sent it to me this morning, it was the first time for me. For some reason, it brings tears to my eyes. Supposedly money will be donated if more people watch. Whether that’s still true, it’s worth watching, even if you already have.

Thursday, December 17, 2009

Podcast: Ten Ways to Jumpstart Inspiration

Sometimes you swear you'll never have another idea, ever. Never, ever, ever.

Or least not any time soon, not in time for it to mean anything in your life as you know it.

Don't despair. I'm here to help. I can say that, since I'm not from The Government.

So today I made you a little podcast, just me by myself with some ideas. And some tips from artists in my book, Creative Time and Space.

As always, you can listen here:




or you can go here and listen on the website,

or you can listen through iTunes.

Enjoy!

Internet Dating

Oh, my sweet Lord Cheezits. I had no idea.

And here let me warn you:  if you are Of Tender Age, or of Tender Sensibilities, please stop right now. Do not read further. Go. Go now and save yourself. I fear this may get ugly. You might want to go vacuum something.

I have a friend who is dipping her toes into the world of on-line dating. The real kind, where you sign up and a reputable service checks things out, weeds out the psychos, keeps your personal info secret—you know. You’d think it would, therefore, be a fairly safe and pain-free experience.

But no. She shared some of the initial contact emails with me. And I’m dumbfounded. I’m like, “These men think this is the way to get a fucking date? What are they, cyborgs? Holy fucking crap.”

Sure, there are some cool, funny, normal-ish sounding guys. She’s heard from some of those. But there are these other guys, guys who are sending emails that seem to have been composed by someone using an online language translation service. You know: flirting via babblefish:

“love to play golf, writing and watch sporting games and a whole lot other things to make me busy and don't lonely”

Oooh, baby. That’s setting my loins aflame, let me tell you. If the guy is, indeed, writing from a native language other than English, then say so, damnit. My friend is multi-lingual. They could schmooze in a wide variety of languages. Just not this particular one, whatever the hell it’s supposed to be.

And they say things like,

“I would love the opportunity to establish and build a rapport with you, in the hopes a friendship can occur between you and I.”

Now, I don’t know about you people, but if I were trying to get laid, I think I’d have polished up a little something special, you know, like maybe I’d sit down and compose something and edit it and make it sound decent and not as if I’d scrawled it on a scrap of paper using one of those little pencil stubs I found on the floor of the men’s room at the bowling alley.

And not filled with clichés. “A friendship can occur”? Like what does that mean? This is a spontaneous event that happens during a full moon? When the barometric pressure drops? What? He makes it sound like something for which you might want to take out insurance.

So get some help with the little note, OK, dude? Make it sound, um, normal, maybe?

You know:  like maybe a human being wrote it but not while they were drunk. I don’t know—call me a simple fool, but if I were a guy introducing myself in an On-Line Dating Situation, I’d want to sound lay-able. Appealing and shit, right? Isn’t that the idea, presumably? I’d try to avoid the clichés and have a friend—also preferably one who was not currently impaired—check the grammar for me. I don’t expect everyone to write well; I just expect them to CARE, damnit; so that if they’re writing something they’re going to have other people, oh, you know, READ or something, they’d try to make it look good.

Or at least have it make sense.

In short, I’d try to make myself look, if not fabulous, at least decent, you know?  Cos I’m figuring that someone who hasn’t, apparently, taken a lot of time putting his best foot forward in the introductory email part isn’t going to be a guy who spends a whole shitload of time preparing for the Actual Date Part. Like, you know, maybe not taking the time to bathe, is what I’m worried about here. Forget flossing and a pedicure; I’m worried about fungus, frankly. Communicable stuff, you know?

I’m worried that I’d go to meet this guy at a little outdoor cafe somewhere and would be led to a table occupied by a man wearing a filthy army jacket, a guy who hadn’t shaved since Nixon left office and who was carrying with him a collection of plastic bags filled with dirt from the yards of all the city council representatives who had refused his request for access to the secret tunnels running underneath the city.

Where he planned to build a museum honoring his mother’s contribution to discovering the secret of eternal life.

And we won’t even talk about his fingernails.

And speaking of putting your best foot forward, wouldn’t you try to come up with some sort of screen name that made people want to get to know you better? Hmmmm? Something like, oh, I don’t know:  RichGuyLarry? StudlyDoctorSteve? WellHungDick?

(Snort. That’s for Roz, of course. Hi, Roz!)

That’s what we’d expect, right? But we would be so, so wrong. Instead, my friend (not Roz! Roz is married. To Dick. Which is, as y’all know, is endlessly amusing to me. Like in our podcast.)

Anyway:  my friend is getting mail from lonelymarvin@pleasedatemequick.net (and, no, as far as I know that is not an actual link. If it turns out to be, run away quick!)

Geez. LonelyMarvin. That’s attractive. Why not just call yourself MiserableDumpedBob? PsychoticLoserHarry? SelfishBastardMike?

I mean, really: truth in advertising has its fucking limits. Jesus. You’re not expected to be a fucking poet here; just a couple simple sentences that don’t make you sound like you spend most of your days hunkered down under the overpass constructing pentagrams out of cigarette butts. And a screen name that makes people look forward to actually meeting you In Real Life. I mean, how much are you going to look forward to a first date with this guy? You tell your friends, “Oh, gee, no; I’d love to go to New York City with y’all this weekend, but i can’t. I’m having dinner at the Pizza Hut with LonelyMarvin.”

Yeah. That’s going to happen.

So here’s my advice to the men out there who are trying to date in what Monk would call The World Wide Electronic Computer Web World:

--take your time. Pick a name that doesn’t make me re-consider dedicating my life to The Lord and becoming a Handmaiden to Jesus.

--if your skills in the area of Composition & Grammar maybe aren’t the best, that’s OK. Ask for help. Try googling “how to introduce myself by email without fucking up”

--avoid sounding desperate. Use “please” no more than once, and never in all CAPS

--avoid words like

“depression”

“suicidal”

“suicidal depression,” esp. capitalized or preceded by the words “my” or “my recent”

“incarceration” (even preceded by the words “unfortunate” or “unwarranted,” it’s still usually not the best idea)

--“The Voices”

_”Mommy”

 

Also avoid, in this initial email, references to ex-wives, especially if you have to number them, i.e.: “my fifth ex-wife, That Bitch Gladys.”

Then, if you master this part and get an actual date--

Oh, lord. I don’t even know where to start. So just stick with the standard stuff:  bathe, shave, clear out that nasal jungle, put on some deodorant. Leave the knife at home.

You know.

And for gods’ sakes, man, buy some breath mints.

 

 

Wednesday, December 16, 2009

Crafty Crew

Artistikitty send me this video, and it made me so happy I figured y’all would like it, too. I want J-Krafty to move next door to me: his

“I’ll glue a button to a brick”

may be my favorite line of all time.

Thanks, Daren! ♥

Organizing Your Space: Thinking about Furniture

So you’re all weeded out, you’ve picked out a space and gotten some color—or not—in there, and now it’s time to figure out what you want to put in this space, no matter if it’s a tiny little corner or a whole huge warehouse. Then, later, we’ll come back and talk about storage. For right now, though, it’s just the furniture.

Again, the first thing to think about is how you work. I know you must get tired of hearing me say this, but until you know how your brain works and how YOU work, you can’t design a space or a schedule or a life or anything. So many people sleepwalk through their lives, never really feeling comfortable or at home but not knowing why. They set up their living spaces the way they see other people’s set up, and they eat meals at Regular Meal Times, and they wear the clothes they buy at the mall. They feel out of sorts, kind of alien, a little itchy and grouchy and like they’re wearing a life that’s a couple sizes too small for them, but they don’t know why.

It’s because they’ve never stopped to figure out how their brain works, how they think, how they need to arrange their lives for the way THEY function.

Wait. I’m getting off track here, amn’t I? Jesus.

OK. So you paint, let’s say. And you imagine a painting studio with a taboret and a big oak easel and track lighting. And let’s say you have the money to get that stuff, and so you do. You get it all set up and looking fabulous, and you go in and sit on your $399 ergonomic stool in front of your beautiful new easel, and you pick up your sable brushes. And you can’t paint a thing. And this goes on day after day after day, and then one day you’re on a road trip, say, and you can’t take that easel with you, and you take, instead, your little canvas and your tiny portable watercolor kit, and you sit in the car and hold the canvas in your lap and everything just flows—you have to stop in the next town and run in to Michael’s and buy half a dozen more little canvasses.

Because, of course, you paint best when you hold your canvas in your lap. Why? Who knows? Maybe that’s how you’ve always done it. Maybe it feels like you’re closer to your work when the canvas is balanced on your knees. It doesn’t matter. I know a Famous Artist who paints in her lap like this—she says that’s the only way she can paint.

Or let’s say you quilt. You’ve been making little art quilts, and now you’d like to make big, full-sized quilts. And you have some space and you have some money, and so you invest in a quilting machine. You get it all set up, you take some lessons, you maybe get some commissions from people asking you to quilt things for them.

And you hate it. You hate the machine and you hate the studio and you find yourself looking for any excuse at all not to go in there. Hell, you’re washing all your dishes by hand, for gods’ sakes, just to postpone the moment when you have to go in there and fire up the long-arm quilting machine.

Because, it turns out, what you loved about making those little quilts was the feeling of pulling the needle and thread through the layers of cloth. You loved the unevenness of the stitches and the funkiness of the lines and the way the fabric got firmer as you sewed endless little lines of thread, holding it there in your lap.

But because you didn’t think about that, because you just assumed that if you had a fancy machine, you could make fancy quilts, you’ve spent a shitload of money and invested a lot of time and space, and you’re miserable.

So stop. Think about how you work. Think about what it is about what you do that you love.

And then think about how best to do that. And then think about furnishing your space.

I like to stitch by hand. I like to do this sitting cross-legged on some comfortable surface, with great back support and great lighting. I like to be comfortable, and I like to have a little table right there for glasses, supplies, a cup of coffee.

So I’ve set up a little space like that in every room.

Our bedroom, where I stitch in the morning while The EGE’s getting ready to go sub—I put smooth jazz on the iPhone so he can listen, and the cats pile on the bed with me and I have that first cup of coffee. And I stitch:

IMG_2495

After he goes to work, I move in here. With the cats, of course.There’s track lighting and a bright lamp and a window beside me:

IMG_2497

In the late afternoon, I like to sit and stitch in the studio, either in the chair in front of the window

IMG_2490

or, if that chair is cat-filled (as it usually is), on the couch:

IMG_2492

If we sit in the living room (which we need to do more, since it’s very under-used—something I’m working on), I sit here (overhead track lighting plus a lamp that doesn’t put out much light but is nice):

IMG_2496

after dinner, I can sit here in The EGE’s study while we watch a movie. See the el-cheapo bright lamp clamped on the bookshelf?

IMG_2499

if The EGE’s cooking, I can sit here and stitch while we visit, although I’ll usually do machine sewing then:

IMG_2493

There are some things, like cutting and pinning fabric, that need a firm surface, and for that I can put up one of the folding tables. But I don’t need that kind of surface most of the time, and having a permanent table would be a waste of space if I had only a little bit of space.

So think about it:  do you need a comfortable chair? Or a desk and a chair? Do you need a stool? Maybe you stand up, or maybe you need room to pace back and forth.

Is it important that all your storage be right at hand, so you can reach it without getting up? Or are you, like me, getting to That Age where it’s important that you get up and move around and stretch every now and then? In that case, it’s better to have the storage a little ways away, so you have to walk to get to it. Sure, it seems as if it would be wonderful to have a fabulous studio with everything right there beside you, but is that really what’s going to be best for you?

Think about it. Really think about it. Don’t whine about how little space you have or how you can’t afford fancy studio furniture. It’s not about that. It’s never about that. It’s about figuring out how you work best and doing whatever you need to do to set up that kind of space so you can work. It’s not about copying what you see in the magazines—because, really:  do any of those studios really look like anyone ever works in them? Not to me. I love those magazines, and I love looking at the studios. But I can’t imagine a lot of work getting done there.

(Of course, I’ve been in some of those studios. Let’s just say they don’t look like that all the time, thank goodness.)

Here are some other things to think about:

~~floor covering:  do you need a soft rug? or do you need something that can be taken outdoors and hosed off? Do you need something firm so that your office chair can roll back and forth? Or, like me, do you need a rug under the casters so it WON’T roll?

~~lighting—again, you have to think about what you need for what you do:  overhead? task lighting? lamps? headlamp for tiny, detailed work?

~~ really think about ergonomics:  what kind of chair you need (test out a BUNCH of these if you’re going to buy one—take a book, or some stitching, or something, and go and sit in the chair and see how it feels).You’ve seen the little lap board I made for my keyboard and mouse so that they’re right here in my lap and I don’t have to reach for them—after 4 hours or so, that can kill your shoulders and back and, then, your neck.

~~do you need a place to put a drink? Sounds like nothing, but it’s not:  if you drink anything in your studio, you’re going to need a spot to set it so that if it somehow spills, it won’t spill ON anything. I have a little table away from the computer where I put my cup. NEVER by the keyboard or the laptop or the fabric.

~~do you need a place to put your feet? If you sit for a long time and have been propping your feet up on a box, keep that in mind when you’re organizing your new space—don’t think that just because you’re all fancy now, that ugly little box needs to go.

OK. That’s it. Think about this stuff, about how you really work, not how you think you’d like to work. Keep in mind your own quirks and habits and don’t spend time and money making a space that’s gorgeous but about as useful to you as treehouse without a ladder. Even the tiniest, most cramped space is perfect for someone—if you grew up drawing on the floor of your closet and love nothing better than a cozy little space filled with the odor of crayons, having the money to build a huge, light-filled studio doesn’t mean that’s the best option for you. Your inner artist may be secretly begging you to clear out that little closet in the guest room and fill it with pillows, a good light, and a stash of Crayolas. Pay attention to what it’s telling you.

 

How About a Little Music?


Counter