Maybe, like me, you first saw Aaron's fabulous stitched portraits years ago in either Cloth Paper Scissors Studio or Quilting Arts. I can't even remember which one was my first glimpse, but I do remember that I was completely entranced. There was the immediate recognition of a fellow traveler on the journey--you know, someone whose work just makes sense to you. I loved the detail and the humor, the intricacy and the evidence of someone's fascination with the subject matter. And I've got to be honest--I was completely taken with the fact that Aaron has used the exact same needle since he began stitching these portraits in 1989, and that he has an original DMC Embroidery Floss storage system and keeps it fully stocked with never fewer than three skeins of every. single. color.
This kind of thing, as you might guess, makes perfect sense to me and makes me very, very happy. So of course I had to talk to him. We've been in touch for years, and at one point, long ago, I even did a Q&A blog post interview. If I were A Good Blogger, I would have labelled all my blog posts and so would be able to go find that post and link to it right here. Alas, I am not. And I cannot. (Please do not tell Zom, who has suggested ever-so-gently that labels are A Good Thing, one I should maybe cultivate.)
[Edit. note: The Fabulous Kathryn Usher tracked down that old post, and here it is. Thanks, sweetie!]
But never mind. Here's a link to his website, where you can find more of his amazing work--images like these that I snagged for a little teaser:
And here's my conversation with Aaron. Enjoy!
Wednesday, June 22, 2011
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7 comments:
I thought I heard someone mention my name.
Yes if you had labels, I could click on his name and read each time you wrote of him and get a kind of history. Wouldn't that be cool?
It is never too late. Start now and a year from now we will enjoy the fruits of your labour. (It is slowly starting to seed. You did remember. ~what is with all the plant metaphors?)
I found Aaron's portraits fascinating! I also liked the fact that he is still using the same needle and has the DMC cabinet. I like his idea of using the magnet on a stick to find his needle in all that shag carpeting.
Isn't that amazing? I would have lost the needle the first year.
I'm getting ready to listen... but in the meantime I think I found that old interview. At the top of your blog, left hand side, there is a space to search by entering key words or phrases (it has a spy glass by it). I typed in "McAllister." Several entries popped up. Is the interview dated Wednesday, April 16, 2008 and titled "In Which Michael Aaron McAllister Graciously Answers My Nosy Questions?" Here's the link ... don't know if it will work http://voodoonotes.blogspot.com/2008/04/in-which-michael-aaron-mcallister.html
OMG, Kathryn, you're FABULOUS! It does, indeed, work, and that IS it! XO
Aww shucks... glad to help. The podcast was wonderful. I love the idea of a stunt double needle! I'm always losing needles.
I have come in from the studio, taken precious painting time, turned on the computer because I have to tell you how much I enjoyed this podcast!
What did I love about it? The detail. How he stored what. What kind of thread Aaron uses, what colour he repeats in every portrait, how many hours he works in the morning, and so on. It is endlessly fascinating.
I also love that there wasn't talk about what workshop you could go to and how he got into this and that gallery. I am just so tired of all the how-to-succeed blab. And so appreciate it is not what you ask about.
I could have listened to you two for another hour.
By the way, you really should try nymo for your beading thread. It comes in different widths, lots of colours, doesn't tangle. Have you tried it?
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