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Midland, Texas, United States
My name rhymes with "Lisa," I live in Midland, Texas, because it's warm and the mortgage is cheap, and no, my hair is not naturally orange. The EGE--The Ever-Gorgeous Earl--is my husband of 34 years. I have the best job in the world because I get to call up artists and ask them nosy questions and then write about them. In my spare time I write. Yeah, I know that's kind of pathetic, but what can I say?

FAQ's

Friday, September 30, 2011

Destination: Creativity Blog Hop!

I haven't ever hosted a blog hop--I haven't ever even participated in one--so this is really exciting for me. Starting Monday, we're going to have nine days of chances to win one of nine copies of my new book, Destination: Creativity. I wanted to give you a heads-up so you can plan to visit their blogs and toss your name in the hat by commenting on their posts.

Monday, October 3rd: Melanie Testa
Tuesday, October 4th: Seth Apter
Wednesday, October 5th: Mary Beth Shaw
Thursday, October 6th: Carla Sonheim
Friday, October 7th: Lisa Myers Bulmash
Saturday, October 8th: Melissa Manley
Sunday, October 9th: Deryn Mentock
Monday, October 10th: Jen Cushman
Tuesday, October 11th: Jill Berry

I'm so lucky to know such generous and talented people, and I can't wait for you to visit their blogs and get to know them and their work!

Sunday, September 25, 2011

Art & Soul Opening Night


Check my Facebook wall for more photos of our re-fashioning fun:

Saturday, September 24, 2011

More Shots from Art Is Petaluma



 The Fabulous Laurie Mika
 These roses smell even better than they look.
 For the chocolate fondue at Eat Cake & Create





 Thomas Ashman
 Keith Lo Bue
 Tom (we had Thomas, Thomas and Tom)
 Keith, Thomas, and Michael at the breakfast panel discussion










Art Is Petaluma Photos

I don't know what it is, but I can upload and insert a dozen photos here on blogger in the time it takes to do ONE on the Wordpress blog over at CreateMixedMedia.com. I don't know if it's Wordpress or if it's me or if we just don't have that great a photographic relationship, but it makes me nuts when I'm trying to show a whole slew of photos. So I've posted a few over there, but then I gave up and am putting the others here. 
Sallianne, one of our hosts




 Thomas Ashman




 Thomas Mann getting to see his book for the very first time.

Friday, September 23, 2011

The Big Reveal!

First, some background to explain why this is so exciting to me: last year during the Big-Ass Eastern Road Trip, when we drove ("we" meaning The Ever-Gorgeous Earl, who drove every stinkin' inch of the entire trip) 8002 miles through 29 states, attending art retreats and doing book signings, we went to Bead& Button in Milwaukee, where we met up with Tonia Davenport, my Lovely Editor, and I got to introduce her to Thomas Mann. Now, of course they already who who the other one was--of course. They're at the top of their respective fields, so of course they did. But they hadn't met, and I got to do that. And now, a year and a half later, the fruit of that introduction arrives: Tom's brand-new book with North Light, Metal Artist's Workbench: Demystifying the Jewelers' Saw. So you can see why I'm kind of jazzed, right? I love being a matchmaker for artists and editors, readers and artists, organizers and instructors--all of those people.

Tonia gave me a head's up that the advance copy was being shipped to Petaluma, where Tom's teaching. When we met up with him yesterday, he'd already received it but hadn't had time to open it. I convinced him to let me keep it until this morning at breakfast--nothing like being put on the spot when you're seeing something for the first time, huh? He's a great sport, though, and this was WAY fun for everyone. See?

Art Is Petaluma Breakfast Panel Discussion

Hello, my little chickadees! We're in Petaluma, California, for Art Is Petaluma, and my gig this morning was a panel discussion with some of my favorite artists: Keith LoBue, Thomas Mann, Michael deMeng, Albie Smith, Leighanna Light, and Thomas Ashman.  The topic I gave them was their other passion--what other abiding interest feeds the work they do? I used my stitching as an example: the handwork and altered clothing is something that supports the writing I do as My Real Work--when I do handstitching, my brain relaxes and gets ideas.

Never mind that it was early and some of them had jet lag (Keith flew in from Australia, and I had to go down and call him and wake him up; but that was OK--he's worth the wait, right?), they were fascinating and funny and inspiring. Here's a snippet where someone in the audience asked how they dealt with their own internal critics. Listen especially to Keith's recitation at the end--everyone loved this a lot.

Wednesday, September 21, 2011

The Details on the Fabulous Deal

On Saturday, I think it was, I posted about the special two-for-one deal on two of my books at CreateMixedMedia.com. Here's the official info, and here's a link. The coolest part is that, in addition to the two-for-the-price-of-one, you get free shipping. $25, two books delivered to your door. Hard to beat, huh?
September Special
Buy these Inspiration titles by Rice Freeman-Zachery together for only $25Enter Code RICEINSPIRES at Checkout to Save*
Destination CreativityDestination Creativity


Retail: $24.99
Your Price: $15.82
Save: $9.17 (37%)
Buy Now!
Living the Creative Life Living the Creative Life
Ideas and Inspiration from Working Artists

Retail: $22.99
Your Price: $13.99Save: $9.00 (39%)
Buy Now!
More Good Stuff for Mixed Media Artists:
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*Offer Code RICEINSPIRES expires September 30, 2011 at 11:59PM EST. To take advantage of this offer, please add both products to your cart and enter offer code RICEINSPIRES at checkout. Discount is only available when you purchase both books together.
Other discounts available for a limited time on some items. Please note that additional discounts are not available on products that ship directly from the manufacturer: see product pages for details.

Tuesday, September 20, 2011

Project Alabama Tank. And Rambling.

I think I've already told y'all about finding this top when Jeanie Thorn took us to My Sister's Closet in Phoenix. I have, right?
Good. I'm so sorry--I feel horrible about having such a bad memory here at The Voodoo Cafe because I know it must be tedious for you, reading stuff that I say as if it's Brand-New & Exciting!!, and you're going, "Yeah, yeah, yeah, you've told us that story three times. Just show us the damn photos already. Geez." Maybe I should change the "About Me" part to warn people that there's going to be repetition. Also contradiction, since I change my mind about stuff.  Also empty promises, since I say I'm going to talk about something or show photos and then forget all about it.

Geez. I should just say, "I'm a flake," except that's not true. I'm reliable and well-organized. Just forgetful. Except that would imply I forget stuff, when what it really is is that it never gets to the part of my brain that would hold it long enough for it to become something that could be forgotten. It never gets that far.

Whatever.

(Typing that makes me laugh because I always think of: "Whatever, white people!" Gah, I crack myself up.) OMG--I just found this site, Stuff White People Like. I love this page--I have no idea if I'd love the rest of it or not, but The EGE and I have several on-going riffs on White Food. Also Super Negro, a superhero we created to save black people from the horrors of stuff like stuffed bell peppers and Salisbury steak, things that were forced on me in childhood but that The EGE was, mercifully, spared. Now that everyone eats everything and now that black people have adopted even the most hideous of white "fashion," we had to create someone who could come to the rescue. We will lean over to each other when we see a particularly egregious example (an dapper older black man in plaid golf pants, for example) and go, "Gah. Call Super Negro. Now."

ANYWAY! So we were getting ready to check out when I spotted this tank on the rack. It was a ways away, but I knew immediately what it was: Alabama Chanin. At least, that's what I thought it was; turns out it's Project Alabama, which is the part of the partnership that went overseas when they split up--so this is the cheaper import, not all entirely handmade but still pretty groovy. I didn't know that at the time--all I knew was that it was Alabama Chanin style and had a pricetag of $17.99 and that I snatched that puppy off the rack and actually squealed. (You can read my profile of Natalie Chanin in the January/February 2011 issue of Belle Armoire)

It was fun showing this off at Art Unraveled, which was why we were in Phoenix, because other people actually recognized what it was, which it totally unlike, oh, here, for instance, where people would see this and think it was just some worn-out tank I didn't have the sense to throw away or give to The Maid. (Yes, they do say that. Sigh.)

Mary Beth Shaw (and while you're there with Mary Beth, scroll down and see what she's doing with her stencils and this Alabama-Chanin inspiration, and then scroll some more and see what she says about our podcast, and then--oh, just read her whole dang blog, OK? I ♥ MB) went shopping the next day and found one of her own--apparently someone had a collection of Project Alabama and gave them up. For what reason, I can't imagine. Susan Lenart Kazmer tried to get me to wear the top so she could sneak up behind me, unzip it, and steal away with it. Silly woman: like I would wear it before I washed it.

Anyway, I brought it home *and washed it* and began working on it. Well, not right away:  there's the Wardrobe Triage. I've got to get photos of that. Yep. Got to do that. Anyway, what it is, is: I put all the clothes up on hangers and go through them and put them in order of what needs to be done. If it's mending or altering that requires the sewing machine, something simple and basic--those come first. Then the quicker embellishments--the ones that won't take forever: they come next. The ones I'm going to bead--they come in order of how long it will take. A few beads on the collar? Way ahead of something like this tank, where I wanted to bead the larger flowers all over the front. The problem with this Wardrobe Triage is that, as I get new (new-to-me; often it's pieces given to me by Trish, at the consignment store, or things I buy from her or at Goodwill) pieces, they fit in there, and then if I decide I want to wear something, it gets moved up. Obviously this isn't rocket science and isn't rigid or anything; it's just my way of trying to finish up the quicker-to-do pieces as quickly as possible so 1) I can wear them (duh) and 2) there's not this huge, huge line of stuff waiting. It's pretty sad, the number of garments hanging around our house. And when I say "hanging around our house," I mean literally: there are hooks on the door frames in the sewing studio, and those have many, many (manymanymany) hangers on them. There are finished garments waiting to be photographed, and those hang on the cupboard doors in the kitchen (where they occasionally make The Cook (aka, The EGE) grumble when they get tangled up when he's trying to get to the spices). There are pieces I'm thinking about--things I might add more to when I have time--hanging over doors in the Voodoo Lounge (mostly vintage coats) so I can see them while I'm doing yoga = a good time to think about projects. Then there's the big swath of them all hanging from the shower curtain rod in the cats' bathroom. There are so many in there right now that the room is dim, and if the rod falls down, the bathtub will overflow with clothes. It's pathetic, I know. But I love it.

But this isn't about that. This is about this:
and then I mended it, because the grey under-part had some little holes in it. And then I beaded it. People kept asking me why I wasn't using orange beads, or at least something bright and colorful. For one thing, it wouldn't go--beads look best and show up better if they're on a similarly-colored background, esp. if you use transparent beads, as I do (I like the silver-lined transparent ones for the most sparkle). And there's the other weird thing: I'm totally into chambray and faded denim colors here lately, as if I've returned to the love of my high school years. It's inspired by Native Funk and Flash, by boro style, by tenderly mended garments.

OK--the color is most accurate in the top photo up there. These below were taken outside, and they look a little more grey.





 I didn't bead the back. For the same reason I don't have tattoos on my back: I don't spend time/money on things I can't see/enjoy.

 I'm going to have to play around with pairing it. I wore it to an opening the other night with a full-length chambray-colored Bryn Walker linen skirt (clearance) and a pair of long, pointy-toed woven metallic leather Nordstrom's kitten heels (thrifted, brand new), and it didn't work for me: it was too contrived. I took the heels to Goodwill the next day: they were fab, but they were totally uncomfortable, and I loved imagining someone finding them there for a couple bucks on the shoe shelves. I hope it was someone who realized what a bargain they were getting. I hope they squealed.

I think this top will be best with my old 501's or maybe one of the jean skirts. And the long linen skirt needs a funky sweater or beaded t-shirt.  It's like I was talking about the other day: if you have something form-fitting on the bottom, you need a looser top and vice versa. It's about balance. If you have a dressy--i.e., beaded--top, you'd want something more casual to go with it unless you're just going for Over-The-Top. If I were going to dress this up, I'd get some kind of long silver-y skirt. You know, like s-y-n-t-h-e-t-i-c. Whispery. Not blingy, though. Even then, I'm not sure it would work for me. Dressing it down = definitely.

OK. I'll try to get Wardrobe Triage photos, but you're not allowed to go, "OMG. What are you doing with so many clothes? That's obscene! You should be ashamed of yourself."

OK? We'll just all pretend it's perfectly normal, and you'll say supportive things like, "It's wonderful that you're recycling these cast-offs!" and "My, aren't you the thrifty one?" and not--NOT!--"Oh, sugar, bless your heart!"

OK? OK.

XO

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